![]() ![]() What was it's musical journey from initial conception to release on LZ III?ģ. When Led Zeppelin peaked, it really was the heights.2. And at the close Plant saluted his dog once again: “Strider!” he yelled. By ’75, the song was a magical moment at Zep concerts, with Page taking an extended solo in the middle.Īt Earl’s Court, Bonham brought in the castanets as well, giving him four jobs (bass drum, hi hat, castanet, vocals) at once. When Zeppelin played its first shows in Japan in the fall of ’71, Bonham was singing backing vocals on “Bron-Y-Aur Stomp” at those performances. And it certainly didn’t hurt that his old mate Bonham was backing him up. At the ’75 Earl’s Court performance, he is close to overjoyed. “How could a love be so strong when so many loves go wrong?” Plant sang, dreaming of the country lanes he and Strider would ramble down.Īs Led Zeppelin songs go, they don’t get quite as carefree and wholesome as “Bron-Y-Aur Stomp.” Even on the record, you can hear Plant relishing the vocal. “Bron-Y-Aur Stomp” could be called a love song - it’s Plant’s to his “blue-eyed merle,” his faithful dog who went by the name of Strider. ‘Bron-Y-Aur Stomp’ was a tribute to Robert Plant’s dog Strider John Bonham and Robert Plant of Led Zeppelin, 27 September 1971 in Hiroshima | Koh Hasebe/Shinko Music/Getty Images So who’s harmonizing with Plant on the backing vocals? It’s Bonzo himself, and he hangs behind Zep’s lead singer on every note. ![]() Then Plant dives into the first verse.Īs the camera flashes around the stage, you can see Page is focused on his guitar work, while John Paul Jones is standing on his own playing the bass. After the opening’s last bit of heavy strumming, Bonham comes in with the bass drum and hi-hat. The crowd is definitely right there with Plant, clapping along to the (by then) familiar intro. Plant seems to be enjoying himself immensely as Page works his way up to the first verse. In the clip, you see Jimmy Page dig in with his rollicking introduction on acoustic guitar. The vault includes, for example, rare footage of The Who’s Keith Moon goofing onstage before joining Zep for a rendition of “Rock and Roll.”īut you might find a 1975 Earl’s Court performance of “Bron-Y-Aur Stomp” even more interesting. If you ever get time to browse through Led Zeppelin’s YouTube channel, you’ll find some treats. RELATED: What John Bonham Saw as a Big Difference Between Led Zeppelin and The Beatles John Bonham would deliver spirited backing vocals on performances of Led Zeppelin’s ‘Bron-Y-Aur Stomp’ John Bonham of Led Zeppelin performs in January 1975 in Rotterdam. And if you caught the Zep live in the ’70s you might hear the powerhouse drummer supplying backing vocals for Robert Plant on the track. On the whimsical “Bron-Y-Aur Stomp,” you’ll hear Bonham working with castanets and spoons. ![]() ![]() That certainly applies to Led Zeppelin III and its fully acoustic side 2. Whether you turn to his hand-drumming in “Moby Dick” or his swinging cymbal work in “ What Is and What Should Never Be,” you can hear Bonham’s artistry (both light and soft) on any Zep album. But he was a far subtler musician than many gave him credit for. “I like our act to be like a thunderstorm,” Bonham once said of Zep’s performances. And Bonham wouldn’t discourage anyone from thinking that. When some rock fans think of John Bonham, they think of the basher, the “Beast” who would drive Led Zeppelin through “Dazed and Confused” and “Achilles Last Stand” at the band’s epic 1970s shows. ![]()
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